Wednesday, December 16, 2009
OSFR Classic Revised and Revisted: Pal O' Me Heart by Barry Frauman
A non-plagiarizing tribute to the novel AT SWIM, TWO BOYS by Jamie O’Neill
Arthur and Gavin, boys nearing manhood,
soon to fight for Irish freedom,
Easter Rebellion of 1916,
rising to expel the British:
Arthur slim under thick auburn mop
he shakes from his hazel eyes,
tossing his head to meet the world,
shyly biting his lower lip
at certain special pleasures:
honors in school for Latin,
reading of heroes in ancient times,
watching a sea storm:
Over gray water the waves peak white,
echoing lightning above.
A lad from a Catholic home,
he used to bind his hands with the rosary
not to fetch himself,
bottling his lust into fever
till his father and brother heard his moans
and said "Don’t struggle,
you can’t sell sweets in the shop lying sick."
Arthur’s reluctant to act his passion
for muscular black-haired anti-Church Gavin,
laboring son of the poorest folk,
who donned a kilt with him at school band,
curly black hair on his legs, dark eyes,
daring and quick, a sudden sharp grin,
who’s been with a man but it’s Arthur he’s loved
since the auburn lad struck in like thunder
to stave class bullies off Gavin the new boy,
soon to die wounded in Arthur’s arms;
but now, alone with each other,
(word’s gone out of Rebellion delayed)
an Easter morning sunny and cool,
they swim the sea near Dublin,
their bodies only as nature created –
"Dare your pope to say it’s wrong" –
clothes hidden dry on shore meanwhile.
They’ll carry them up the hill of new grass
but throw them aside to race about,
members bouncing and leaping, Gavin ahead.
At last out of breath, they drop to the land.
Alongside each other, on their fronts,
what work they’ll do in free Ireland,
Gavin a postman, Arthur a teacher,
living together of course;
enemy boys in school they fought:
"When O’Connor sneered at our so together
I saw your fist come out same as mine,
you’re the man for me, Arthur McNally – "
"And Gavin, we decked him, Monahan too;
and thanks to the priests, they’ll keep away."
"Why God made priests, you muddy red mop-head,
also for tickling us on the sly – "
"And who’s to stop them? tell me now."
"If any – " "You’ll be first to hear."
Now Gavin turns on his right to face Arthur,
nudging his pal to lie on his left.
The amorous narrow of Gavin’s black eyes,
his full red lips tucked in, beckon Arthur;
but when Gavin’s fingers walk up his friend’s thigh
to fondle his desire,
Arthur protests, and he lets go.
"A kiss at least?" "Ah Gavin, one day....
Please touch me face and tell me you love me."
"Arthur, I love you," and tenders his palm
on the cheek and brow of his auburn mate,
mussing and smoothing his hair.
"I love you meself, Gavin McCall.
Bit nervous about today I was,
bit nervous where it would lead,
and now I feel brought down to rest."
"Well Arthur, come to me arms, sleep so."
His drowsy lad he softly cradles,
gazing the water to lull his passion.
Naked they lie, alone on hill-meadow.
Soon Arthur awakens: "If we might stay."
They speak of Ireland’s liberty battle.
When dressed, Gavin sports a green uniform:
Will he take Arthur to see his commander
in time for them to march side by side,
comrades-in-arms?
"Like that we’ll be most together, Gavin,
lover-soldiers of ancient Thebes."
At first these words dislike dark Gavin,
silently fearing the fight, who’ll die like a man:
"You’ll join me in battle?
Arthur McNally, you danger yourself,
I’ll bate you blue-black, or wreck meself tryin’....
A teacher of Latin you want to be?
then keep in school, prepare so –"
"Gavin McCall, I’m grand at shootin’,
I’ll come where you – "
"Laddie, no tears, I’ll write you me place,"
an arm round the mop-head’s milkwhite shoulders....
Sea and hill, the quiet around,
invite them to taste a last day of peace.
Sweet hunger stirs in the freshening breeze.
His deepest desires tenderly roused,
held warm and tight by his black-haired Gavin –
will such a moment be theirs again? –
Arthur who’s never, now turns his back
and solemnly offers himself to his friend,
who gently warns it may hurt.
"Now think to kiss me before you come in."
"Glory be!" shouts Gavin; and when he does enter,
the pain to hazel-eyed Arthur is brief,
allayed by the taste and touch of his man.
"Are you fine so? It’s your time in me,"
but Arthur says wait, let me hold this feeling.
Gavin’s full lips now stretched in a grin,
Arthur openmouthed in delight,
they surge with love, groins pressed together,
limbs wide, hands locked,
their eyes all afire, another kiss panting
pal o’ me heart evermore.
editor's notes: This poem was originally published in August of 2008; Poet Barry Frauman has revised it and here it is, re-presented and represented in its intended entirety.
-Russell
Wednesday, December 9, 2009
December report: many shades of many greys
This is Russell. I haven't updated OSFR in a while, and here's some explaination to that:
1.) Side project: Good Hurts. It's a hot sauce review website. It's a different kind of fun than OSFR in that it's 100% in my own control and up to me to update, work on, et. al. As long as there is hot sauce and I have a camera, Good Hurts lives. No need to prod or seek out submissions. Check it out, why don'ch'a? ? ?Stay spicy.
2.) I'm actually going to be teaching a course I've designed, Frontiers of Poetry, here in Iowa. It's mostly about emerging internet poetry and communities, with looks at more experimental contemporary stuff. If you'd like your site or poems included in the couse syllabus (it's 5 weeks long, but fierce!), go ahead and email me.
3.) Attention spans may wane, but OSFR is unbreakable. Keep submitting! Enjoy!
-Happy Holidays
-RUSSELL
Featured Poet: John Grey
Sunday, November 1, 2009
What's up with O Sweet Flowery Roses?
I've shifted focus to another site--Good Hurts, a hot sauce review blog. OSFR is dedicated to poets and poetry; sharing ideas and voices; cultivating emerging poetics. However, Good Hurts is something I have full control over. I don't have to ask for submissions, deal with annoying blogger cut-and-paste formatting issues, etc.
This is NOT the end of O Sweet Flowery Roses, but just my explanation for the slowdown. I'll be teaching some poetry courses in Iowa in Spring 2010, and be rest assured that more solid stuff will be showing up here.
You keep submitting, I'll keep posting. Feel free to check out Good Hurts, especially if you like hot sauce!
-Russell
Featured Poet: Raymond Neely
Wednesday, September 30, 2009
Featured Poet: Luis Cuauhtemoc Berriozabal
poetry and short stories. He lives in
Los Angeles County. His latest chapbook, Overcome, was published by Kendra
Steiner Editions, and it is a
collaborative effort with photographer, Cynthia Etheridge.
WITHOUT TELEVISION
The news of another murder on television,
or the news of crooks getting away scot-free
makes me long for the days I watched cartoons.
In those days there were fewer murders.
I could do without television.
I would just stare at mirrors instead.
I would watch myself at noontime
eating an apple. In the evening
I would change the mirrors to another room.
I do not need television.
Maybe without it there would be fewer murders.
Perhaps there would be more.
I think I would read a book instead.
I could turn on the radio
and listen to the untalented musicians
on the popular music stations.
I would complain about what happened to
good music. A mirror would break.
I would long for the days of TV.
The news of murders and crooks would return.
In the evening I would lock all my doors.
THE SOFT EVENING
In the soft evening
we sing without sound
and carve our hearts
and dig out the pumpkin seeds.
Broken of heart we eat
of what is left of it
and descend into the abyss.
THE MOON’S DISEASE
On this night the moon
is not easy to look at.
Its light fills my nose
with a pungent scent.
My lips turn blue and
cold. The distant moon infects
me with a sadness
I cannot escape.
I pace aimlessly
in the black night with the
devils of the soul
whispering to me
to give up my soul to
them for a night of joy.
I become moist with
sweat and defend my
sick heart with silence.
More awake than ever I
keep my soul hostage.
It is all I have.
Unlike my heart, my
soul is intact.
Still I shiver from the
moon’s disease as I
walk in confusion like
a lost child. When I cry out
it is my soul, which
reverberates on
this night, where the moon
is an eyesore. It
fills me with sadness.
I cannot escape.
Tuesday, September 29, 2009
Featured Poet: William Stoneberger
Tuesday, September 22, 2009
Featured Poet: James Dye
James Jason Dye is a 26-year-old college student from Dubuque Iowa. He is a new writer whose poetry can be found on various publications such as Ampersand, Dogzplot, Poor Mojo’s Almanac, The Clockwise Cat, Aphelion, Calliope Nerve and Public Republic. He can be reached at jamesjdye@hotmail.com or check out his blog at http://jamesjdye.blogspot.com. You can also download his free poetry e-book at www.poemhunter.com
The Rose Again
The rose again above the mountain goes up the valley down. The wind lifts it off the ground its gravity pulling back around.
Ambush arose from its seat. A pillar of smoke arose in defeat.
The sun bowed down again.
The Fate of Night and Day
Darkness boasts the night. The Sun is down. Evening settles in.
The thickness blackens. Heavy is the weight. The gloom stagnates. The mass curdles.
Twilight congeals. It consumes the whole world. In the morning Dawn mourns.
Thursday, August 27, 2009
OSFR is back!
Tuesday, July 21, 2009
Summer Hiatus
Friday, June 19, 2009
Featured Poet: H.E. Mantel
Monday, June 8, 2009
Featured Poet: Peter Magliocco
Thursday, June 4, 2009
Featured Poet: Alfonso Colasuonno
Alfonso is a friend who has read at OSFR I and has some new poems he'd like to share. Please enjoy!
QUICK PLUG: While I am on the subject of enjoyment, I recommend suckas who gots to know check out Juliet Cook's 13 Myna Birds. Really interesting design and format of rotating poems; many imagistic, expository, and confessional...all really damn good.
Alfonso Colasuonno is a 25 year old writer based out of Brooklyn, New York. He is a former New York City secondary school teacher. He graduated Beloit College with a BA in Creative Writing. This is his second submission to O Sweet Flowery Roses and has also been a performer at an O Sweet Flowery Roses-sponsored event.
MANIFESTO
Regarding your “poetry” -
It is not complex enough
Nor is it obscure enough
To catch even a faint glimpse of my eye.
The beauty of poetry
Is that it leaves the proletariat
Completely baffled as to what you mean.
Your writing is as obvious
As the cumshot
At the end of a porno.
You hit people over the head
With your arcing stream of ideas.
That is not poetry.
Maybe it is spoken word.
It doesn't have the staccato
The rhythm
The je ne sais quoi
Of poetry.
I have never heard
Something as complementary of my work.
No, this is not poetry
That you learn in classrooms
Or from going to readings
And it never aimed to be.
A visceral reaction
A laugh
A cringe
A masturbation break
This is what I aim for
Not bored applause
Like you aim for.
BAD EDUCATION
I live a life of multiplicities
Responsible for the future of this country
A New York City schoolteacher.
Gutterpunk? (On weekends?)
My preferred mode of dress is a ratty t-shirt
With a picture of Exene Cervenka
And a pair of jeans with holes at the kneecaps
And Eurotrash written in black marker on the pant leg
Like a wrestler's iconography on his tights
Signaling to all parties
A false delusion.
Yet, still, I wear the suit and tie
Monday through Friday
8 to 4
I suck Joel Klein’s cock.
I do it by the book.
How do I react inside those four walls?
Student comes in blazed
Out of his mind.
Reminds me of someone quite familiar
And how false it is to say - “get yourself together”
When having a few drinks later in the day
Crack up at the thought.
I think back to same student and wonder:
Am I really getting that old and yawn-mouthed
That a student needs to show up high to enjoy my class?
And then I realize he is not enjoying my class at all
But the company of his comrade in the next seat.
Question: Did I ever do that?
No. I stifled my laughter.
I respected my teachers.
I tell myself these lies
Until they become truths.
Am I doing a good job?
Can I say what I want to say? No!
The trick to education is knowing one golden rule
Your teachers are full of shit.
A trip to the principal’s office
And a great big unsatisfactory on my teaching record.
I’ve lost control:
Classroom
Self
Severance pay
Big fat j
On the dole
Back to bumming
Reading Bukowski
Drinking heavily
In short, a rubber room existence. There is no such thing as fate.
American Spirit
You have a high pitched voice
An anxious tremor
Resonating to the stratosphere
As if your lungs were never consumed with internal clouds of mist
Sucked in like steamboats in vile vortices
Smoke from a thousand fags
Ashes staining your fingernails yellow
Disguised under press-on nails
And teeth off white
Remedied by Crest white strips
And brushing at least three times a day
In painstaking circular motion
And time permitting, vertically and horizontally, as well.
But you still have a smoker's cough
And your perfume doesn't hide
The smell of countless nicotine cravings.
Monday, June 1, 2009
Featured Poet: Dr. Kane X. Faucher
Gueule
(a slav-ish raillery in no parts)
--…trouvez…
--…amusant mais…
--…voyons…
--…tellement / camoufle…
--…fond…
--…vendre!...
--…mort…(.)
Scandallion standala y catapostrophe.
Bas alt relief belie goncourtier
\?--:…rue the infinite gimmegimmick a la
Moi-toi
NRF(I)NRF(II) dire la roches-elle dans un
Et Gaston IIieme dans deux 1953.
Ecrirez-pas babelogue
Insta instro insitu insu introck.
Ref fer ere frere ren enc yclo clochard hark arkhe.
Logoglissade/Wordgliding
(a fenceless optical zone)
Depistillated sermonizing wavebreak,
Immense pillar of talking flesh
<
& the great sewer of existence underlorded
Papal cyborgs &
How God subcontracted Adam to name things.
I walk / unkempt millennium garden / public works project
Failure / empty beer bottle by bathtub / she and bubble /
Abducted from Oshawa / portable office relocate @ bar /
New fonts derivative / syncategoreme / portfolio construction
Professionalization anti-seminar / non-marketability aspects of
Doctorate.\ move to Vancouver \ organizations strategies \
Collaborate with and learn from here \ midstroke.--
Mauditerre
The future threatens
to make us seem quaint and ridiculous.
while the applause
has died away well before we arrived.
Mode juste today,
critical gaffe tomorrow.
We who write now will be subject
to cruel normalization
and barbaric standardization,
lost somewhere in a canon
the young are forced begrudgingly to honour
The political choices we make today may feel right.
Tomorrow will judge us harshly
and we will be condemned.
The future is like that: and it has the luxury
of history and consequence -
we should have known better becomes our epitaph.
The future will consign us to haunt the earth
spurned devils and the mark of Cain.
Our actions, once laudable, become burdens
as death renders us mute and indefensible.
Thursday, May 28, 2009
ProblemZ
Yes, being an internet journal has it's high points. For one, you get to use a "z" instead of an "s" without feeling shame down to your bones. Also, I get to instantly publish poems for any and all to read at any point. I've heard a lot of people (myself included, in the past) go on and on about the importance of print poetry journals, but for what OSFR is, it could only really function on a website at this point.
But there are some low points, too. Blooger sucks. Yes, I said it. Though I am not good with computers and will have to do major research and work to figure out how to start a new website with all the previous posts included. The main issue I have now is with commenting...apparently people are having a hard time doing it. Not sure what to tell you...it seems to work fine if you have gmail (or any sort of google account).
Formatting has been a problem for me as well. Not sure why, but the blog has seemed to become self-aware and decided that it dislikes formatting poems correctly. While I constantly try to get it to say its name backwards to make it vanish into another dimension, I still have to work hard to get it to correctly format poems with kooky fonts or wacky line/stanza breaks. Be aware that formatting can sometimes be hard; bear with me.
Anyway, keep submitting, and if you're in Chicago, by golly sign up to read!
-Russell
Wednesday, May 27, 2009
Featured Poet: Peycho Kanev
Tuesday, May 26, 2009
Re-featured poet: Barry Frauman
Happy belated Memorial Day from the (Russell, oft-involved Becky, friends) staff of O Sweet Flowery Roses! Please find more poems from Barry Frauman below. No, we are not hard up for submissions quite yet, but Barry is the first poet signed up for the Super Duper Blowout Chicago Reading (date, time, et. al: TBA)!
Let me know if'n your down to read and I'll put you up on the list!
MEMORIAL DAY
I dreamt of you Tony in morning twilight,
that you were admitted to hospital care
not sick, not well,
that I was your room-mate,
not ill at all.
You wore silk pajamas, white, I think,
your hair thick and dark, a few strands of gray.
Your body flourished, exciting and strong,
I ached to sex you.
Instead we unpacked, each one for the other,
together, happy.
We talked long and warmly about... can’t recall,
more friendship of love than in stormy life-days,
the tension of AIDS.
TWO LOVES
he first of my heart is quiet, certain
and serene as all the Buddhas.
When I err, when for a fraction of a second
I am not quite honest, the motion of his eyes,
their change of light, point back the truth to me
with no less love than in our perfect harmony.
He is my soul.
* * * * *
My other love maintains there is no soul
there is no God
there is no human life
outside the robot masses of our time
stampeding all his words into my brain;
yet deep within, his fury seeks affection:
At a crowded café, not too gay,
he cornered me with a hug;
and then one night, good-bye at his door,
he beamed when I kissed his beautiful face.
* * * * *
The eyes of my soul are in white white skin
under jetblack hair.
He is young-tree slender and elastic,
shoulders open and embracing
even when his arms are down.
The breeze nestles in his thick black thatch,
dreaming of eternal June, and he has
the soul of a tree in young manhood,
sometimes playful, more often stilled
in the half-smile of serene growing.
* * * * *
He calls himself fat, that's a laugh,
short wiry devil-dark mustache,
eyes of gray lightning.
* * * * *
Hello to you! Yes to you!
From all my soul to all my soul I call.
You are the tree in whose branches I nestle,
the lightning will not strike.
Your faults are like a summer shower,
soon to dry away.
* * * * *
Leaping to your feet? still fast asleep?
Thinking of you, wondering how you are,
I wake up late and slowly Sunday morning,
glasses on the table from last evening
stilled into the memories of fun.
Now silent, mostly empty, they'll sit out
the hour or two until I get to them.
Ever think of weekends you were here?
We've showered music breakfast yes or no,
it doesn't matter all that much,
we've had our sexy talky turbulence.
I won’t approach your nakedness now,
tempting though it is,
but will instead anticipate a lingering good-bye.
What are your plans?
* * * * *
The greatest number of people,
whose kin are family-tree,
would not understand my joy in you,
beloved keeper of our light.
I have small knowledge of your prior years,
I did not see the steps you took
to form the inner workings of your life,
a discipline so perfect and serene,
that you should be a beacon to us all..
You grow and thrive around a core of stillness,
a happy silent purity
toward which my restless spirit stretches endlessly..
You never come to me to lay confusion,
but work a trouble through then hail me
to share your joy in hard-won resolution.
* * * * *
Ten A.M. Sunday thunderhissing discoblitz
you shut the door against the din so we can talk
your rage boils up at years of sexual repression
your lightning strikes the wordhouse you have built
as shelter from the storms you generate.
I lash past your downpouring sentences
to bring my love to your intelligence
and turn your storming elements to sunforce.
Burning tired your head falls to my shoulder
still you say you do not feel love
it must be no right now, maybe not forever,
but firmly for this time you back away.
* * * * *
You let me rant about the world's nonsense,
then you embrace me.
* * * * *
Better this way you say in the labyrinth
of bar-and-bath nightmerchant anonymity.
Better this way than learning in the hurt
of amorous friendship somehow gone awry.
* * * * *
Remember the time you stayed during the week?
I’m sure it was December snowy rainy
muddy morning grumbling down to work.
The sidewalks were in slush,
we made the bus-stop walking in the street.
The night before I’d lain down at your side,
though I still mourned the parting of another.
As we were trudging slave-like in the grayness
toward the dreary obligations of the day,
I felt my guilt glide up into my throat.
With gentle indirection you forgave.
Your compassion that sad day gave birth
to the sweet closeness all our own
that keeps us free of all the cushioned traps
the gray Decembering world sets
to ground the flight of those who love.
* * * * *
You say, "I’ve never felt... whatever it is,
but that's alright, I live from day to day.
If somehow I could change, that would be nice,
but I don't count on anyone, OK?"
* * * * *
In front of your house good-night, I’ll call you soon.
Our hug is long and strong,
and always with the imprint of your face,
you touch me in my quiet tender place.
Tuesday, May 19, 2009
Featured Poet: Felino Soriano
This is Felino Soriano's second submission, but everyone should check out Counterexample Poetics for unfiltered astonishment.
Editor's note: Happy birthday to me!
Felino Soriano (California) is a case manager working with
developmentally and physically disabled adults. He is the editor of
the online journal, Counterexample Poetics,
www.counterexamplepoetics.com, which focuses on International
interpretations of experimental, philosophical, post-postmodern, and
avant-garde poetry, art, and photography. He is the author of five
chapbooks and e-books, including Among the Interrogated (BlazeVOX
[books], 2008) Feeling Through Mirages (Shadow Archer Press, 2008) and
Calling Toward Clarity (Chippens Press, 2009), and also has a
mini-chapbook forthcoming from Wheelhouse Magazine. The internal
collocation of philosophical studies with classic and avant-garde jazz
explains his poetic stimulation. Website: www.felinosoriano.com
Painters’ Exhalations 118 —after Bridget Riley’s Edge of Light
Light needn’t
sky born, or shape create
happenstance
below, soil level
or other
cliché
developed notion decided
on a shelf of
predetermination.
Birds sketch
a clawing scratch
vertical road from sky elsewhere
leading
to twig architecture, feeding opportunity,
as light illuminates in constant etching
into echoes
dissipating
only as dusk hands begin the painting of
exaggerated gray.
Painters’ Exhalations 119 —after Aleksandr Grigor'evich Tyshler’s The Wedding
Somewhat deciphered
by the citizens whose
cataract emotion matches eros
amid walkers during night
purchasing intimacy through
paycheck deposits for
affection laced with
uncertainty and
thought’s edges protruding
the forehead’s soft tissue. Here
the ceremony unfolded structure
capitalizing on sun’s open hand throws
italicizing vows and intertwining reading
of scripture. Hands exchange third finger symbols
casting aside absence for platinum
platitude, though the spectrum of smiles erases
the monotony of the specialized moment.
Painters’ Exhalations 120 —after Mark Cesark’s Grey Area
This is language. Two hands
held in fisted reality
hiding
bodies of truth or fiction
behind the overused back of trickery
asking
choice of relevance above interpretational
guesses.
Human claws at dichotomies. Splaying
too far
from routine brush blends anxiety
into parallel thinking of the body-normality
excusing nervousness
from the eyes’ visual safety.
Many want sharpened edges of black or white. Maze
circles segregated or
introduced into factual tongues
speaking newness—
the area of vellum’s spectrum wide wingspan
creating inability to travel emotionless
away from supported measures
the mind ambulates in complete
control.
Painters’ Exhalations 121 —after José Bedia’s Isla Bonita
Impressionist interpretation of a woman’s
unworn, strapless, high-heeled stiletto. Stilled
away from walking’s many efforts
providing
a layered rendition beautiful faced woman
interrogated by wind’s rhythmic, ugly hands. Trees
border
the silhouette metaphor walking tired
among forest resting near water’s diamond
recreation. If man resides here
soon
the heel will wear, become a broken semblance
of identity prior to the overbearing bludgeon of self
-righteous motives.
Painters’ Exhalations 122 —after Thanet Awsinsiri’s Under the Shade
We proclaim protection. Said by the promise
of illusion. The protected is not
alphabetic dissertations
elaborating the body’s many functions.
The body bare
is at its unpeeled genesis
actuating ensuing movement
if desire overwhelms stagnant
curses tattooing the limbs of
extravagant reason.
Where wind and walls simultaneously converse.
Saturday, May 9, 2009
Friday, May 8, 2009
O SWEET FLOWERY ROSES CHICAGO SUMMER INVASION
Thursday, May 7, 2009
Featured Poet: Mike Berger, PhD
"I am 72 years old. I have a Ph.D. in clinical psychology and was a practicing psychotherapist for 30 years. I am now fully retired. I have authored two books of short stories. I have published in numerous professional journals. I have freelanced for more than 20 years. My humor pieces Clyde and Goliath, Good Grief Columbus, and If Noah Built the Ark Today have won awards. I am now writing poetry full-time. I have many pursuits which include sculpting, painting, gardening and baking bread. My forcaccia is to die for."
BUBBLE BATH
I wondered whether it was like
to take a bubble bath. Born in
the depression, we were too poor
for such frivolous things.
I was too macho for such wussy
things when I was in my teens.
I wouldn't get caught dead in the bath
with 1 million bubbles while I was going
to college.
I didn't have time after I graduated
to indulge in such a frivolity. It was
a quick shower and off to the grind.
Now I'm retired and my wife works.
At last I have my chance. I started
the water and poured in a bottle
of a bubble bath.
Bubbles fill the tub and overflowed
obscuring the bathroom floor. Soon
the stuff was up to my knees. I
struggled to find the tap to turn the
water off.
As I stand here looking at the mass;
I ask what do you do with 1 million bubbles?
I'm thinking I should have waited a little longer
and taking them back after I was dead.
GREEN THUMB
The neighbors yard was a menace.
He never cut the grass. The rosebushes
had died from lack of care and the ivy
on this side of the house were now
stringy brown.
I never saw him go to work. I wondered
what he did. His friends would come at
all hours and played rancorous music
just above a threshold of pain.
They were all rough looking with long hair
and a variety of beards. The women who
must have been easy they had mattresses
strapped to their backs.
In the middle of the night I was awakened
by a thunderous crash. The street outside
what is lined with cars and two police
Van's.
I understand my neighbor has a green
some. The cops haul them all away
along with forty weed plants.
FLAMING GORGE
Twisting Baroque art
etched into vermillion
cliffs It sings a Bach melody.
A dark blue river
provides a foil, highlighting
the mazes of scars
carved deep into
rock.
Brilliant red strata
undulate.
A dizzy labyrinth
Touches streaked red sky.
Sunrays painting specters on
canyon walls as
they chase fickle shadows.
Lonely sagebrush clings.
Deep shadows reigns
where sun light hides.Saturday, May 2, 2009
Robert Walton: Bio and (awesome) author photo
Friday, May 1, 2009
Triple threat: Call for submissions, Applewood Revue event, Robert Walton poem
Why, you should hop on the wild ride and submit poems to O Sweet Flowery Roses.
Yes, event time is upon us once again.
Sean Lyman Frasier + Michael Gorman's Applewood Revue is a-rollin' into Brooklyn on its steam-powered go-matic contraption. The last one of these I went to absolutely brought the house down; it was the kind of magical event that makes people migrate to legendary New York City. The folk songs were fun and uplifting, the poetry was poignient, and the music of the band Go Cat Go was nothing short of a metaphysical feeling wherein the waters of the mind's most beutiful creek flowed between the hard tin camping vessels for water (which doubled as drums) all within the confines of Flushnik Studios. I strongly urge anyone in the NYC area to truck/boat/plane it out for this one.
The details:
Flusnik Studios
698 Flushing Ave
Brooklyn NYC
7:30 PM doors open and FREE food served (Editor's note: the food is really amazing. Do not do like your humble editor and gorp down 9 lbs of pizza before a party with delicious homemade pasta and fresh baked bread)
8:00 PM performances begin
Free Entry, Free Food, Cheap Drinks (You may BYOB)
Spoken word performers: Susan Brennan, Niall Connolly, Liz Afton, Ed Malone, and Sean Lyman Frasier
Musicians: Alexa Woodward, Jo Williamson, Bern and the Brights, and Michael Gorman
Robert Walton didn't send anything but this poem, which I think is befitting of the revival-stylings of the upcoming Applewood Revue performance.
Poem by Robert Walton:
Above Parker Lake
Snowmelt waterfall
Bursting bright,
Crystal tresses flung
Across ebon cliffs -
Impatient girl
With all of time
To brush your hair
But none to spare
This morning.
Monday, April 27, 2009
Featured Poet: Holly Day
"There’s an awful lot of pressure involved in sending out poetry during National Poetry Month. Perhaps it’s because I assume that thousands and thousands more poets are sending out their writing this month more than any other month, and the thought of that level of competition frankly scares the crap out of me. Writing is a competitive enough sport as it is, and I’m not a particularly competitive person."
-While Holly Day did not send in a formal bio or photo, I found her cover letter worthy of attaching as a reflection of April being "National Poetry Month."
I'm not much for competitive sports, anyway. Enjoy her poems! -Russell
I Hold Your Big Fat Heart In My Hands
Extinguish the joy in my heart, my head, tonight
I open my body to you like a dependant cripple
Supine, sublime, sometimes I wonder what we’re doing here, and
Then I realize how little I actually want to know the
Truth. Your hands push against me like rough, angry starfish
Press my starlight thoughts of you in between pages of Hitler
Some leather-bound book filled with piles of crushed leaves. In
Time, I just know we could become friends, the emotional cripple
The raging lunatic. I chose to be the weaker of the two of us, and
It has nothing to do with you, not really. The
Closest thing I’ve come to love like this is this, tidepool starfish
Wrestling for pieces of meat, so slow like Hitler
Decomposing beneath heaps of garbage and dirt. You let me in
Last night, and just because I let you touch me then doesn’t mean I have to tonight.
And even though we’ve settled into this domesticity, there will always be the
Images I have of you, unflattering. Hitler hands starfish out against me, touch my backside--
If I let you in again tonight
Will you cripple me further still?
I Deny You
all this talk of reconciliation
and all I see is the back of your head
how I want so bad to pick up a hammer
and smack it into the small round
bald spot growing there.
I can feel the fire balling up
in my middle, billowing out
until I can touch it with my palms
how easy it would be to take
this boulder of tangible anger
smash it down on you
make you flat and small.
I’d Help, But I’m Not Really Here
she says, do nothing
and I’ll make it all right
be quiet and no one will know.
I am a statute in her shadow, I am
a monument to quiet, she will fix everything and
I have no need to move.
she says, say nothing
tell no one, you didn’t see
she says, go back to sleep, I’ll be back
in the morning
I am a monument to shadows, to quiet
So still I don’t even look like Alive
I am a statute of I didn’t see
these memories of dying even as they are born
Friday, April 24, 2009
And the DJANGO Award winner is...CAROLINE O'CONNOR THOMAS for her poem "Apples and Water"
Thursday, April 23, 2009
Featured Poet: Larry Jaffe
It's true that the dastardly O Sweet Flowery Roses poetry journal asks for three poems, a brief bio, and a picture. Constraints be damned...Mr. Larry Jaffe (no relation to myself, though his name is the same as my grandfather's) sent a thick phalanx of poetry, which surrounded his massive bio. So why take the O Sweet Flowery word for it? His bio is here; Mr. Jaffe is quite the prolific poet and general artsmith.
ODE TO GALLANTRY
Aesthetic waves crash
forming tender beauty
a radiant inspiration
redefines destiny
Riding strong
a spirit emerges
– She is her own Galahad
A ripped cape
in flight
– Escaping captivity
Tears shimmer
in sudden joy
obstacles of life
conquered
– An empire created
Leaving her mark
in the universe
–The mirror gasps.
HEMORRHAGING
The Earth bleeds
we stand around
hands in pockets
some shout retaliation
some scream futility
still the earth bleeds
We proclaim peace
accuse each other
march and protest
hold hands for inner warmth
love one another with venom
still the earth bleeds
We kill songs with rocks
torture memories
plead sides
and wonder
why the Earth
still bleeds
– Some never learn to hate
Peace is not a tourniquet
Peace is a new Earth.
LAYERS
I unfold
destiny
diminished
I unfold
precious wings
arc into flight
I unfold
twirling
through space
I unfold
music triumphs
in endless beat
I unfold
– I flyTuesday, April 21, 2009
Featured Poet: Thomas "Kaysen" Fraker
NEWS: The winner of the DJANGO Award will be announced by the end of this week (April 20-26) POETRY: Kaysen sent but one poem with no bio. In lieu of the very long featured poetry que, I thought I would put this one up for today. "I'm 18 years old and 5'10, 280 lbs. My name's Thomas Fraker but i prefer to be called Kaysen. I've been writing for years and honestly dislike most of my work. Others say its good, but i like few of my own poems. Hopeful you will like the one I've picked to submit."
~Untitled~
The vampire in the alley
the monster under your bed
the shadow in your closet
the demon in your nightmares
The thought that shakes you at night
the form that haunts your dreams
violates your body
with a laugh that chills your soul
Your heart will race
your mind will scream
your soul will squirm
but your body won't move
Frozen in fear
staring at your nightmare
born into reality
RUN!
Running
from something that only you can see
everyone laughing as you run by
not knowing what’s really chasing you
They will know
when your mangled body
found in the alley
is left with
No heart
no mind
and worst of all
no soul
So run
faster
harder
like nothing else matters
Cause if it catches you
nothing else will
it will all be over
nothing left but flesh and blood
Unable to love others
unable to think for yourself
and worse
emptiness
Monday, April 20, 2009
Featured Poet: Jane Ormerod
WELL
Time for an O Sweet Flowery Apology on this, April 20, 2009.
While you are all undoubtedly puffing your [legal tobacco] pipes and are therefore in a good (and hungry [un-chemically stimulated]) mood. Your humble Editor-in-Chief is moving to Iowa City! Yeah, that has derailed my posting for a spell.
NOW
We are back on track AND have a *W*I*N*N*E*R to announce! Stay tuned HONESTLY and please enjoy the poetry of Jane Ormerod while you do...
Jane Ormerod was born on the south coast of England and now lives in New York City. She is the author of the chapbook 11 Films (Modern Metrics, 2008) and her work also appears in numerous print and online publications including 21 Stars Review, Arsenic Lobster, BigCityLit, eratio postmodern poetry, failbetter, Ginosko, Night Train, Whatever Literary Journal and the spoken word CD Nashville Invades Manhattan. She is host of the occasional reading/performance series Emotional Rescue at The Cornelia Street Cafe and is a founding editor at Uphook Press. Her website is www.janeormerod.com
A Nightingale Invades
The lid falls off replaces
The lid falls off replaces
Beauty as cure for society’s ills
Child dream murderers fly-driving sailors
(Clap)
Beating out a carpet heart on pumice steps
Horses heavier than anyday fear
Hurdlers replacing heraldists cab rides abundancy
Her ribcage filled with nettles
Lip dash and slash
A change of hair inside her leather yellow bag
Skip
Skip
Neigh
(Clap)
Seams below seams between seams below seams
Picric papers Stockings
Yet another wedding ring passed round the room like port
Lanterloos oh oh and double christs with sakes
Skip
Don’t sing
Splutter Hide
Savers Coasters Shoe lacers
Mongers coster and scare
The cheapest skates
Wives with hives and junket days away
Painting with marsh mist and a marigold
Painting with flute and three weapons
Waiter!
Water
Suckers
(With bait in her breath)
Are you interested in Pre-Colombian art?
Do you care about sticks? Do you lie about buffalo?
Stretch of elastic linking tooth and hand
Rolling beads of sweat and glass
A coral sunset choral sunrise whore tales grape hyacinths
Our daily bread delivered by a nude
The lid falls off replaces
Painting with baby in plastic
Painting with sun patches and ghost
MAN’S HEAD FOUND IN GIANT COD
The lid falls off replaces
The lid falls off replaces
Her mother spread on crimson icing
A pecan coat faraway lockers neutron spillage
The rich and the gullible and the bed and the kitchen
And the heels and heels and the healing of his hands
The lid falls off replaces
Her adult space in flames
Like a hedgehog Some warm milk or raw sugar
May be all she now needs
The lid a while replaces
The lid a while replaces
Everything dearie round here dearie
Feels just too good dearie dearie
To be true
Go Figure
Light mote variations, mounted warriors
A tetragon, birthday greetings from ‘72
Experimental geese, better later than usual crops
A red barn uncle-inherited but never seen
Homicide
Long gone fish markets
The very last man smoking … puff puff puff
Why are things so heavy?
The doctors and psychiatrists drinking in the hotel bar
Bladdered, they were
Pissed out their heads, they were
Voices slurring like prescription notes
Stripping to their underpants
One banana, two banana, dirty, dirty, dirty
Remember, remember, the fifth of November
Meanwhile, watch me
The almost adolescent
Right outside their building
Swift-flitting between telephone wires and scaffold poles
Humming and ho-humming on the perfect diameter
To fit inside my own … toot-toot … small feet
Nashville Invades Manhattan
Tigers are cardboard cut-outs shaped like men
Tigers are cardboard cut-outs shaped like men
Tigers are cardboard cut-outs shaped like men
Everything tiny as leather
Mild as In-ger-land woah woah woah
Considerable as thought (risible!)
My schedule tight as the neighbour’s dress
Swiss Holiday Inn (wool temptation!)
A hamburger (I think) tigers
I push sticks and stones fifteen hours a day cardboard
Tigers are cardboard cut-outs
My mother floats like a pilot
An eyebrow
Pretty pitt the older pretty pitt the younger
Rows of conifers along an empty race course
Such a fun age, my mother snapped sing sing sing
Yet I would have very much liked
To have been as chatty as Gertrude snippity-snip Stein
Or maybe the goalkeeper I watched on the television news
Serious as a handle bicycle moustache down the hill
Curds wah-hey!
And now kissing occupies me as much as war
And my small tail has grown a little stronger in the city
English mustard is hotter than French German not so sure
I remember trains pencilling through countryside …
This is my brain, this is my brain, this is my brain
Diddley durr, diddley durr, diddley durr
Not the same, not the same
… Hay bale clouds kestrels lifting from overgrown allotments
Superstore car parks punctuation ribs ribbing ribbons
Sleep sheep waiting to be seated or stroked sniffled sniped
Badgers of honour otters de fe decaffeination
Tigers are cardboard cut-outs shaped like men
Tigers are cardboard cut-outs shaped like men
Tigers are cardboard cut-outs shaped like men
(One more thing I realize…
Having a child
Prevents you
From ever
Cutting your wrists)
Tuesday, March 31, 2009
ONLY ONE DAY REMAINS! TIME IS RUNNING OUT-
Tomorrow, effective at midnight, the submission window for the first annual DJANGO Award slams shut, locks, and is fired into the center of the sun while trapped in a bamboo cage. Yes, they go bye-bye. Then the site resumes its regularly scheduled posts, and judging for the contest begins. Stay tuned to OSFR for details on the judging and for new poetry.



